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Toy Theatre is an excellent "Penny Plain" history of Toy
Theatre with emphasis on the English. Biographies of the major publishers
and examples of their work are presented in this 47 page book edited by
Kenneth Fawdry - - - whose son John now owns the Toy Theatre Limited
Company at the same location as Pollock's Toy Museum, #1 Scala Street in
London . Pollocks in London and Priors in Copenhagen
are the only two of the original publishers still operating. . . . and
both are enjoying the renewed interest in their products. This history
is well documented and full of Penny Plain illustrations.
(c)1980 Pollock's Toy Theatres Ltd. ISBN 0 9505588 2 6 |
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| MODEL THEATRE - An easy step by step guide on how to make your own
theatres and productions. 2nd ed.1996 Video Rideo Press, 7 St.
Augustine's Road, Ramsgate, Kent CT11 9PQ
(c)1993 by Robert Poulter, ISBN
1 85379 249 7
"The wonderful thing about model theatre is that you can make a complete
theatrical production in a fairly short period of time. Although
small in size its impact on an audience can be as great as that of a full
scale theatre show. As in the real theatre, even though you are not
actually performing on stage yourself, you can still feel the mood of the
audience and adjust your performance accordingly. Although the model
theatre can imitate the effects and actions of the full size theatre, it
should not be regarded as a smaller version of its bigger brother, for
model theatre is a type of theatre in its own right." |
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One of the most complete references on the subject of Table Theatres
by Arthur Gardner has 157 Fact-filled and well illustrated pages.
Published by the British Puppet & Model Theatre Guild and now
available from [Toy Theatre Company]
Toy Theatre differs from other puppetry arts in that the principle focus is on the PLAY rather than on the movements and expression of the puppets. Sheets of actors and scenery were originally sold "Penny Plain, Tuppence Coloured". . .and the Producer had to paste the sheets onto thin card, color them if they were plain, and cut them out. These flat characters were fitted into tin sliders to be pushed onto the stage to play their brief part. However, it is common today to prefer three - dimensional figures to flat ones. . .and a limited amount of movement brings more interest & flavor to the production. Theatre size is most usually defined as "Table Top". . . |